“ Beauty perishes in life, but it is immortal in art.”    ( Leonardo Da Vinci )

For Qingzhu Lin “ a good work of art must be a precise interpretation of beauty that meets the wishes of the public.” The work on display highlights the artist’s idea of art, closely linked to the ideas of art, closely linked to the ideal of beauty. In the artist’s works, we can see a combination of styles and culture closely connected to the artist’s Chinese origins and naturalism, the attention to the human figure, and the aesthetics canons of the Renaissance. These portraits can be considered a reference to the works of Leonardo da Vinci,  in particular to the great attention that the Tuscan artist devoted to the study and representation of the female figure, from the importance given to the light to the attention dedicated to representing the spirit of the protagonists.  Attention to the spirit of the subject, and not only to the form, is at the same time a milestone of Chinese pictorial art. Other characteristics of  Chinese painting culture of the origin of Qingzhu Lin- that we can recognize are: the choice of subjects mainly characters and landscapes; a free representative style of impressionist type but at the same time precise, meticulous, and attention to details; and the use of ink, in this case, oil and watercolor paint, calibrated in a distinctive way to give relief or body to the lines.