My approach is primarily the use of fragmentation, the movement of line and the application of bold colors.  By pushing their limits visually and metaphorically, I explore the internal and external workings of the human psyche and essence in my works.  The bare essence of the fragment — abstracted, shredded, eroded, yet substituting for the whole.  The line, in turn, allows for the abstract yet relatable emergence of the figures, providing movement, energy and vitality, as well.  At stake are issues such as that of our temporal, spiritual and psychological natures, and the essence that makes us energy in motion.